Deconstruction in Film Analyses: Poststructuralism, Derrida and Cinema

Deconstructive analyses on cinematic texts are becoming widespread, albeit in limited numbers. The deconstructive readings remain the dimension of emotion transfer due to lack sufficient knowledge; they become detrimental depth analysis field. Undoubtedly, there is no discussion that can be shown as “the best.” However, making in-depth using deconstruction author’s responsibility film a product, audience, and criticism general. most important tool fulfilling this awareness applied technique. This study was born out limitation observed mentioned need created by inadequacy theoretical studies In context, aims reveal what through Derrida’s terminology show how practice analysis. It constructs three levels: At first level, handled defined one arguments poststructuralism. second work focuses concepts phonocentrism/logocentrism, Différance, reversal/displacement, repression. third final level covers films method opportunity would source for researchers interested cinema, Derrida, expected make meaningful whole.